Flicking through the 2013 Venice Biennale catalogue I came across this, 'Controller of the Universe' by Damian Ortega. Unfort...

Welcome to the second of a miniseries (although on saying that I think I’ve already gotten carried away writing) of posts on the Venice Bie...

This is the first of what I aim to be a miniseries of posts on the Venice Biennale. Instead of trying to cover everything I’m going to atte...

‘Combat Art’ lays down its arms (pencil, pen, brush, paper) at Taunton’s Market House in its first exhibition of drawings, paintings and ph...

1  "It's like semiotics meets phenomenology," I enthusiastically told a friend as I was trying to explain why I was looki...

“Leonardo didn’t just think on paper: he thought through paper. Paper was not the pre-liminary to other work: it was the work.” This po...

As far as the visual part of ‘visual art’ goes Mierle Laderman Ukeles’ retrospective of ‘Maintenance Art Works’ at the Arnolfini can only r...